Born and raised in New Zealand, about as far from the Roman world as one can get, I got hooked on history as a child and began university life as an ancient and medieval double major, studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach about many different aspects of that transformation and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
The early history of the Goths is a complicated and controversial subject, with difficult sources and large gaps in our literary and archaeological evidence. Heather provides an excellent guide to those problems and how they might be resolved. His book is particularly valuable for those interested in the only major source actually written by a Goth, the Geticaof Jordanes, and in how the Visigoths and Ostrogoths emerged as independent peoples. The dramatic events which Heather narrates include the first entrance of Gothic tribes into the Roman Empire, the Sack of Rome by Alaric in 410, and the creation of the original Visigothic kingdom in southern France, ending with the newly formed Ostrogoths poised to launch their conquest of Italy.
This is a scholarly study of the collision of Goths and Romans in the fourth and fifth centuries. Gothic tribes played a major role in the destruction of the western half of the Roman Empire between 350 and 500, establishing successor kingdoms in southern France and Spain (the Visigoths), and in Italy (the Ostrogoths).
Our historical understanding of this `Migration Period' has been based upon the Gothic historian Jordanes, whose mid-sixth-century Getica suggests that the Visigoths and Ostrogoths entered the Empire already established as coherent groups and simply conquered new territories. Using the available contemporary sources, Peter Heather is able…
To understand the Goths and their importance in western history, we must set them within their broader context. That is the great value of Halsall’s book, which explores in depth the relationship between the Germanic peoples and the Roman Empire and how the barbarian migrations transformed early medieval Europe. This is history on a large scale, as the title suggests, and Halsall ranges widely from Britain to North Africa as he examines how different Germanic groups settled and forged new identities across the Roman west. It is a story in which the Goths played a crucial role, particularly the Ostrogoths in Italy and the Visigoths in Spain, although in the long-term the Goths would disappear, unlike the Franks who succeeded in founding a lasting kingdom.
This is a major survey of the barbarian migrations and their role in the fall of the Roman Empire and the creation of early medieval Europe, one of the key events in European history. Unlike previous studies it integrates historical and archaeological evidence and discusses Britain, Ireland, mainland Europe and North Africa, demonstrating that the Roman Empire and its neighbours were inextricably linked. A narrative account of the turbulent fifth and early sixth centuries is followed by a description of society and politics during the migration period and an analysis of the mechanisms of settlement and the changes of identity.…
Theoderic the Ostrogoth, arguably the greatest Gothic king, ruled over Italy for more than thirty years (493-526). Moorhead offers an insightful and detailed examination of how Theoderic succeeded in maintaining peace between Goths and Romans and extended his power and prestige, only for the Ostrogothic kingdom to collapse shortly after his death due to political and religious divisions and the Reconquest by the eastern emperor Justinian. Scholars still debate the extent of Theoderic’s own responsibility for the Ostrogothic decline, and as Moorhead observes the very policies which underlay Theoderic’s success also contributed to his kingdom’s vulnerability. I just wish that Moorhead had expanded his very brief comments on Theoderic’s remarkable legacy, which included appearing in the Nibelungenliedand as a symbol of German unification.
The career of Theoderic the Ostrogoth is one of the great success stories of antiquity. From being a ruler of a barbarian people wandering around the Balkans, he became king in Italy (493-526) and established one of the most powerful of the post-Roman states. Due to its ample documentation, the Italy of Theoderic allows detailed examination of a period on the frontiers of ancient and medieval, Roman and barbarian. And due to his success in attracting the attention of some of the major literary figures of the time, new light is cast on Boethius, Cassiodorus, and Ennodius when they are…
The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.
This book explores one of the central myths of Spain: the idea that Spanish culture arose from that of the Visigoths. It begins with a sketch of Visigothic history, then proceeds to explore attitudes towards the Goths and legends and myths that developed around them from late antiquity to the twentieth century; such ideas proved influential among those who saw the Goths as their spiritual, if not literal, ancestors. The focus is on the myth of the Goths as expressed in literature of a broadly historical nature; many authors have played a significant role in forming and shaping this myth,…
The Gothic is a vast subject, ranging from medieval architecture and debates over the origins of English democracy to literature and cinema, music, and fashion. Groom does superbly to introduce all these highly diverse elements in an accessible and engaging manner, opening up a variety of avenues for those who wish to explore further. The relationship between what is now called ‘Gothic’ and the original Goths ranges from tenuous to almost non-existent, which explains the limited attention paid here to the Goths of history—indeed, I wrote my own book on the Goths in part to provide that historical framework, while drawing gratefully on Groom’s work for many of the themes which have shaped how Goths and the Gothic are understood today.
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home decor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.
This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the…
The Goths are truly a “lost civilization”. After migrating from their ancient homeland of Scandza to settle north of the Black Sea, the original Goths were driven westward by the Huns and in the years that followed Gothic tribes sacked the imperial city of Rome and set in motion the decline and fall of the western Roman Empire. Ostrogothic and Visigothic kings ruled over Italy and Spain, dominating early medieval Europe. Yet the last Gothic kingdom fell more than a thousand years ago, and down the centuries the Goths have been remembered as both barbaric destroyers and heroic champions of liberty. This book brings together the interwoven stories of the original Goths and the diverse Gothic heritage, a contradictory legacy that still influences our modern world.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
